PERFORMANCE

PROFESSIONAL HIGHLIGHTS

Be, Choreographed by Katherine Pace and Directed by AnnAnn Putithanasorn (Winter 2026)

Zil Inami’s to bare or not to bear for The American Dance Guild’s Bare Bones Choreography Showcase (Fall 2025)

Fredrick Earl Mosley’s Untitled (Work in Progress) and I See You for Earl Mosley’s Institute of the Arts’ 20th Anniversary (Summer 2025)

Sarah Glick’s Light‍ ‍for PLAY- A Collection of Dances (Spring 2025)

On Borrowed Air, Choreographed by Kanon Sugino and Directed by AnnAnn Putithanasorn (Winter 2024)

Danielle Diniz’s As One for Interim Dance Collective’s Spring Concert (Spring 2025)

The Carnival: Choreographers Ball for Cat Cogliando (Fall 2024)

Joyce King’s LISTEn for Joyce King Dance Company’s ContinU…um - Celebrating 15 Years of Dance (Fall 2024)

Sasha Reist’s Delta Over Delta for Bridge for Dance’s Uptown Rising Performance Series (Summer 2024)

Fredrick Earl Mosley’s UNDAUNTED‍ ‍and Sasha Reist’s Constellations for Dancing Beyond, presented by Earl Mosley’s Diversity of Dance and Dance Against Cancer (Winter 2024)

Not A Dance Company’s heel, toe. for Bridge for Dance’s Uptown Rising Performance Series (Winter 2023)

HOUSE OF MOMO’s Amore Mio, Sto Serenamente Perdendo la Ragione for New York Fashion Week (Fall 2023)

William Byram’s Honkey Tonk Angels for Battery Dance Festival (Summer 2021)

A dancer with braided hair, an undercut, and a tattoo on their forearm stretching their right arm forward against a plain light-colored wall. Their left hand is behind their head and they are wearing a brown, boat-necked top and brown pants.

To request a PDF copy of my CV or access to my performance reel, please contact my email.

A dancer in a white, embroidered dress and jacket performing at an indoor event with a dark background and a large screen showing an image in the distance.
Two dancers in a studio, one holding a brown, wooden briefcase. They are struggling over the briefcase, as if only one of them can hold it.

Photo Credits (from top to bottom): AnnAnn Putithanasorn, Sam Wachs, Taylor Nicole Craft

PRE-PROFESSIONAL HIGHLIGHTS

MICHIYAYA Dance / Anya and Mitsuko Clarke-Verdery ‘s iridescent orb, created in collaboration with Payge Lecakes for ARCANA: A Conservatory of Dance Senior Project at SUNY Purchase College (Spring 2023); you have to look through this to see me for Earl Mosley’s Institute of the Arts (Summer 2022); and none without the other, created in collaboration with the dancers for Purchase Dance Company (Fall 2021)

Nicole von Arx’s Blue, created in collaboration with the dancers for Earl Mosley’s Institute of the Arts (Summer 2022)

Not A Dance Company’s kishin.for DAD ICE, an independently organized interdisciplinary movement arts festival for students at SUNY Purchase College (Winter 2021)

An excerpt from Paul Taylor’s Cloven Kingdom, Re-staged by Linda Kent for Earl Mosley’s Institute of the Arts (Summer 2021)

Dorchel Haqq’s BLACKDIAMOND, created in collaboration with the dancers for Purchase Dance Company (Fall 2020)

Fredrick Earl Mosley’s Oh My Love for Dancing Beyond, presented by Earl Mosley’s Diversity of Dance and Dance Against Cancer (Winter 2020)

Sidra Bell’s exertion #2 for Dancing Beyond, presented by Earl Mosley’s Diversity of Dance and Dance Against Cancer (Winter 2019)

Macy’s Thanksgiving Day Parade for Manhattan Youth Ballet, choreography by Bryan Reeder (Fall 2018)

A dancer with long pink hair is held in midair by a partner behind them, lifting them from the waist. They are wearing a white top and black pants and are illuminated against a dark background.
A dancer in a white shirt and nude shorts is sitting alone on the floor of a dance studio, facing a small lamp on the ground.
A dancer performing a one-handed handstand on a dark stage, dressed in an orange blazer and white pants.
A performer on stage, barefoot, dancing in an orange dress with a high slit, illuminated by stage lights, with dark background and stage equipment visible.

Photo Credits (from left to right): Payge Lecakes, Isabella Pagano, Shannel J. Resto, Julia Discenza